Anyone looking for a destination like none other? Well, you
might very well get it here. At the ancient, dazzling underworld beneath the
enigmatic New Zealand. The legendary Waitomo Glowworm Cave.
It was said that the cave was once rested under the ocean,
gently formed over the millenias by marine fossils stacking up on each other,
building massive layers of limestone. The structure would later rise up, unveiling
incredible arrays of cavern systems, one of which is vividly decorated by the
magnificent living lanterns, Arachnocampa
luminosa, the Glowworm.
Silky threads generated by the glowworm
The Waitomo Glowworm cave offers several unique underground
formations for you to venture. There are three levels inside the cave, the
first one consists of the entrance point, and the Catacombs (natural feature reminiscent of the man-made subterranian
passageways of the past). All of the levels are connected to each other by the
vertical shaft known as the tomo. There
is also an added feature to the upper level known as the Pipe Organ, that occasionally spews hazardous carbon monoxide
inside.
The second level is marked by the Banquet Chamber, where
visitors can stay to eat. The third and
final level is home to the Cathedral, where an 18-feet tall chamber with rough
limestone walls makes up a remarkable
place for singers and choirs to play due to the excellent acoustics of the
area.
The Cathedral
The tour concludes with a boat ride through the Glowworm Grotto, the place along the
Waitomo River which highlights the pinnacle of your journey. Here visitors can
enjoy the spectacle which bears the cave’s namesake : the dark sky illuminated
only by the living lamps, the humble glowworm.
So, anytime you have a feeling of getting on an adventure in unknown, mystical territory never forget to have a trip or two in the spectacular Glowworm Cave !
sources : http://en.wikipedia.org
http://www.glowworm.co.nz
http://www.caveworld.co.nz
http://www.waitomo.com
http://www.travelet.com
And respectable others
footnote: this post was composed by Geoffry Gifari and Nurul Istiqomah
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